THE OFFICIAL STONE PONY CALENDAR

7800 Fahrenheit
Classic Bon Jovi Tribute
Tickets: $17 in advance (plus applicable surcharges), $20 at the door

7800 Fahrenheit stays true to the classic Bon Jovi days with the look, sound and energy. Bon Jovi’s career spans 30+ years and over 130 million albums sold worldwide. Another milestone that the band has achieved is that they have tracked 14 Billboard top ten singles of which 8 of those went straight to number 1. 7800 Fahrenheit believes that Bon Jovi has the right kind of song catalog, especially the classic songs, that really lend itself to being performed live as well as fitting into a broad age range that makes for the perfect club atmosphere. Join us as we rock the house!

Band members include:

Jay Orrell | Lead Vocals and guitar
Jason Santos | Lead guitar and backing vocals
Mike Senatore | Bass and backing vocals
Ronnie Williams | Keyboards and backing vocals
John Young | Drums and percussion

The Rock and Roll Playhouse plays Music of Prince for Kids + More

Tickets: $17 in advance (plus applicable surcharges), $17 at the door (kids under 1 free)

The Rock and Roll Playhouse, a family concert series hosted at historic music venues across the country, allows kids to “move, play and sing while listening to works from the classic-rock canon” (NY Times). Performing songs created by the most iconic musicians in rock history, The Rock and Roll Playhouse band offers its core audience of families with children age 10 and under games, movement, stories and an opportunity to rock out in an effort to educate children and explore their creativity. The Rock and Roll Playhouse is an early and often first introduction to a child’s lifelong journey with live music and rock and roll. See you at the show!

This concert for kids and families shares the music of the artist named above with a new generation of music lovers, but is not associated with or endorsed by the artist. All children must be accompanied by a parent or adult caregiver.

The Rock and Roll Playhouse knows that little ears are sensitive, so we turn down the volume at our shows.  However, all kids experience music differently and you may find that your child is more comfortable wearing hearing protection earmuffs.

The Englishtown Project
Grateful Dead music from Englishtown 1977
This show is much more then a Grateful Dead tribute, featuring songs from the NRPS and Marshall Tucker!
Two set show at 9 pm
Tickets: $20 in advance (plus applicable surcharges), $22 at the door
On Sept. 3, 1977, the Grateful Dead headlined one of the largest and most musically successful concerts of all time at Raceway Park in Englishtown N.J. In addition to the Dead, who had just completed its legendary Spring / Summer 1977 tour featuring a batch of new material from Terrapin Station, the show also included the Dead family’s New Riders of the Purple Sage and the good-time, southern rock Marshall Tucker Band. This tribute extravaganza will feature healthy “doses” of selections from each band’s sets that day with a relaxed, festival style program. AT ANY GIVEN SHOW THE FAMILY OF PLAYERS CAN FEATURE CURRENT AND FORMER MEMBERS OF New Riders of the Purple Sage, Hot Tuna, Zen Tricksters, Phil Lesh and Friends, Donna Jean Godchaux Band with Jeff Mattson, Rainbow Full of Sound, Assembly of Dust, The Joe Cocker Band, Reverend Jefferson, Stir Fried, Dead Sage, Illuminati, David Nelson Band, Dead On Live, Max Creek, Jam Stampede

Jesse Malin — whom the London Times says “writes vivid songs with killer tunes and sings them with scary conviction”— and Lucinda Williams— the southern troubadour once named “America’s best songwriter” by Time magazine— first met in the early 2000s at a jazz club in NYC’s West Village. In a joint 2017 Rolling Stone interview, the two discussed their “shared love of miscreants, misfits, the misunderstood and the mysteries of everyday lives binds them across the Mason-Dixon line.”

“From the early frontier days of hardcore in New York to all the punk rock and singer/songwriter touring,” says Malin, “it’s all been about survival and reinvention. I wanted to make an open-sounding record with the space to tell these stories. I like to write about characters and people I meet along the way. The dreamers, schemers, hustlers, romantics, lovers, leavers and believers.” Many of the dreamers, schemers and so on from Jesse’s own life contribute to Sunset Kids, his new album of highly personal songsbeing released August 30 on Wicked Cool Records.

Sunset Kids first took shape at The Hollywood Bowl, when Jesse accepted Lucinda’s invitation to see her open for what turned out to be Tom Petty and The Heartbreakers’ final concert.The bittersweet experience inspired one of the new album’s highlights, “Shining Down,” a rainy day jangle about “keeping alive the spirits of the ones we’ve lost.” During that same visit, the idea came about of three-time Grammy-winning Lucinda producing Jesse’s next record.

“Lucinda has a great eye for finding the beauty in broken things and a knack for always picking the right take. Once she started dancing in the control room, we knew we had it.”

In addition to this rare turn in the producer’s chair for Williams, she co-wrote and sang on the evocative Country-flavored “Room 13,” which Malin calls “the heart of the record in a lot of ways, about those meditative moments far away from home, where you’re forced to reflect on the things that really matter.”

The album also features “Chemical Heart,” an upbeat pop basher located at a mythical point on Queens Boulevard where Paul Simon and The Ramones intersect, name checking Bernie Taupin and Jake LaMotta among others. “Shane” is a gentle ballad about one of his heroes, the lovably shambolic Shane MacGowanof The Pogues.

“My first album, The Fine Art Of Self-Destruction, was about finding glory in the wreckage,” says Malin of the album which was upon release Uncut’s “Album of the Month.” “Sunset Kidsis about owning it. The failures, the victories, the moments. And moving up from there.”

After reflecting on his life while walking the streets of London, jamming riffs in an East Village basement and writing songs in Florida hotel rooms while visiting his ailing father, the ambitious 14-song album was recorded on both coasts between the two artists’ touring schedules.

It opens with the pre-apocalyptic confession “Meet Me At The End Of The World Again,” which includes backing vocals by Malin confidante and collaborator Joseph Arthur. Another key guest contribution comes courtesy of Green Day’s Billie Joe Armstrong, who co-wrote and sang on “Strangers & Thieves.”

“Billie Joe was in town and I showed him where we hung out when we were kids in the hardcore days,” Malin recalls. “A couple days later, I got a text and he had finished the song. He went into the details of his experience in the Bay Area with that scene, and also my experiences, which were very parallel in New York.”

Those early days found a young Jesse “riding the subway trains from Queens to the record stores and nightclubs in dirty, pre-Disney New York City” and never looking back. His band Heart Attack put out the first New York hardcore single “God Is Dead” when Malin was 14 years old. He later went on to acclaim as the frontman for the fast and loud D Generation, whose albums were produced by Ric Ocasek, Tony Visconti and David Bianco.

Bianco is one of the Sunset Kids referenced in the album’s title. The engineer who won a Grammy for his pristine sonics on Tom Petty’s Wildflowers and produced the first major-label release of Jesse’s career passed away suddenly after overseeing the initial sessions for Sunset Kids in his L.A. studio.

  “Playing music is something I need to do. Singing under those hot lights every night is a great exorcism. We get to put together this pirate ship of characters and go around the world making trouble and singing our guts out.”

As the line in crucial cut “When You’re Young” says, “Don’t waste your life on things that don’t get better.” Malin concludes: “It’s about finding ways to survive and navigate through all this stuff. Being compassionate and loving in a world that will break your heart. But you’re still here. You wake up again and put one foot in front of the other and live every day like it could be your last.”

$22 in advance (plus applicable surcharges), $25 at the door

MELVIN SEALS & JGB

Tickets: $25 in advance (plus applicable surcharges), $30 at the door

Melvin Seals has been a powerful presence in the music industry for over 30 years with a long-established reputation as a performer, recording artist and producer. Melvin is most revered for his powerful, high-spirited, Hammond B-3 organ, and keyboards in the Jerry Garcia Band. Melvin spun his B-3 magic with the Jerry Garcia Band for 18 years and in doing so helped pioneer and define what has now become “Jam Band Music”. From blues to funk to rock to jazz, Melvin Seals serves up a tasty mix with a little R&B and gospel thrown in to spice things up.

Melvin and JGB bring an intuitive, expressive style, soul, spontaneity and remarkable chops to the table. John Kadlecik on lead guitar and vocal duties, John-Paul McLean’s savory bass, Pete Lavezzoli’s hearty drums and, of course, a heapin’ helpin’ of the wizard’s magic on Hammond B-3 Organ and keyboards. Along with Lady Chi & Mary-eL on back-up vocals, the result is a most satisfying blend of natural organic grooves that challenges genre boundaries. Their chemistry is the focus from which they create a spontaneous and high art where the sky is the limit musically. They offer an exciting, often psychedelic musical journey that changes nightly and keeps the audience dancing and smiling (and some staring in amazement) for hours.

Adding his rock-gospel-soul-rhythm and blues touch with his funky style of playing, no wonder Jerry nicknamed him “Master of the Universe.” Melvin continues to treat music lovers to his unique brand of melodic flavor with JGB. Come see and hear for yourself!

Melvin Seals – Hammond B3 Organ, Keyboards & Vocals

John Kadlecik – Electric Guitar & Lead Vocals

John-Paul McLean – Bass

Pete Lavezzoli – Drums

Lady Chi & Mary-eL – Backup Vocals

Los Amigos Invisibles

Winners of a Latin Grammy, five nominations for the same awards, three American Grammy nominations, more than 60 countries visited, nine studio albums, a live DVD + CD, a remix album and an own record house in 22 years of trajectory, several of his songs have won the “Song of the Year” award by the American Society of Composers (ASCAP), are just some of the important data of a band whose career has no brake on the music scene , these are the Invisible Friends.

Aterciopelados

Aterciopelados, the pioneer Latin-American folk-rock group, returns after 8 years with their first long and live project entitled “Reluciente, Rechinante y Aterciopelado.” This CD+DVD is a compilation of the most representative songs of their repertoire that celebrates over two decades of their existence as a band. It features the participation of big names, such as Macaco, León Larregui (vocals for the Mexican group Zoé), Goyo (Chocquibtown) and Catalina García (Monsieur Periné).

Aterciopelados have grown and evolved with each production, making history in Latin America and the rest of the world. They have released seven studio and one compilation album, selling over ten million copies of their records. Their album Río has been mentioned by Rolling Stone magazine as one of the 10 best Latin rock albums of all times.

Tickets: $30 in advance (plus applicable surcharges),$35 at the door

BARNS COURTNEY: THE 404 TOUR 

The title of Barns Courtney’s new album will no doubt be familiar to anyone who’s ever searched for something online and found themselves face to face with nothing. But 404 is an album that explores feelings of loss and bereftness inspired by life’s habit of throwing up its own error pages, with Barns exploring absence, frustration, and the never-ending search for something that seemed like it would always be there until one day, suddenly, it wasn’t: his childhood. “It’s painful knowing that something has gone, whether it’s a good time, a good feeling, a pleasant section of existence, or something physical. I’m always wondering: if you were to go back and find places you knew as a child, what would they look like?” Barns says.

There was a time not so long ago when a 16-year-old kid who’d spent his teens ricocheting between Seattle and Ipswich thought he was about to be the biggest star in the world. He and some mates got a deal with the biggest of all the big labels, then spent three years working with one of the planet’s hottest producers. What could go wrong? Well, plenty. “My entire life since I was 14 had been an upward trajectory,” is how Barns remembers it. “Then suddenly at the age of 22 I’m dropped, I’m totally, woefully unprepared for the real world. No qualifications. I didn’t bother learning to drive, because I thought I’d be driven everywhere. Thank God I didn’t have any success — I would have been a complete ass.”

The years in the wilderness that followed formed the basis of Barns’ 2017 debut album The Attractions Of Youth, a blistering shot of blues-driven rock that got this singular pop performer’s foot back in the door. Songs like Glitter & Gold and Fire became viral smashes, prompting a swell of support on both sides of the Atlantic that saw Barns performing on Conan O’Brien and opening for everyone from The Who, to Blur, to Ed Sheeran. Which brings us to 2019 and a body of work that finds this reflexive, meticulous pop storyteller delivering a minutely crafted album with big tunes, flashes of humor and no shortage of ambition. Kickstarted by 2018’s sparky, Atari-referencing single 99, it’s an album that delves back beyond the arrested development of Barns’ early-20s and into the teens he spent in Seattle and then Ipswich.

Tickets: $22 in advance (plus applicable surcharges), $25 at the door

VIP packages available