WELCOME TO THE STONE PONY!

Rise Against
Nowhere Generation Tour
with Descendents,  Spanish Love Songs
Tickets: $42.50 in advance (plus applicable surcharges)

On their new album, Nowhere Generation, due out June 4 (Loma Vista Recordings), the multi-Gold and Platinum band RISE AGAINST draws a line in the sand with its blazing and aggressive punk rock and lyrics that shine a spotlight on the social and economical deck that has been stacked against our younger generations’ pursuit of The American Dream.

“There’s this idea that we all are raised on, believing that your generation will be a continuance of your parents’ generation — if not even a more fruitful era,” said singer/guitarist/lyricist Tim McIlrath. “And it seems like the American Dream isn’t turning out the way it’s supposed to for a lot of people. Young people aren’t quite climbing that ladder the way they were in the past. I feel for this generation and think it’s something that should be recognized.” Lyrically, much of the band’s upcoming ninth studio album was inspired by listening to his young daughters and a community of fans, seeing firsthand the generation gap growing quicker than ever before while mired in chronic social, economic, and political instability. “Our hope on this record,” continues McIlrath, “is to jostle people awake, even if it makes you uncomfortable.”

The band — McIlrath, Joe Principe (bass), Brandon Barnes (drums), and Zach Blair (lead guitar) — sounds those alarms on Nowhere Generation’s unabashedly outspoken songs that speak to a sea of disenchanted youth about both the struggles and the solutions, while sonically continuing to blur the lines between astute punk rock and melodic-driven pop. In addition to the communal call to arms embedded in the aggressive title track, there’s the fast and furious anti-establishment manifesto “Broken Dreams, Inc.,” the moody ballad “Forfeit,” and the surprise pop candor in “Talking To Ourselves,” a standout song about wanting to be heard and wondering if anyone is listening. “It describes a lot of what Rise Against does,” says McIlrath, “to speak and scream when we feel there are things that are happening that aren’t being addressed. And I think that’s a lot of what our fans feel too — the people in that front row all over the world want to be heard and listened to. I wanted to tap into that sentiment.”

Inside The Stone Pony on the “Locals Only” stage:
Doors at 4:30 pm
4:45 – 5:25 Free The Witness
Late show inside The Stone Pony
10:00 – 11:00 Green Knuckle Material

BILLY STRINGS
Tickets: $39.50 in advance (plus applicable surcharges), $45 at the gate

Acclaimed singer, songwriter and musician Billy Strings won Best Bluegrass Album at the 63rd Annual GRAMMY Awards for his critically acclaimed record, HOME. Released on Rounder Records, HOME was produced by Glenn Brown and furthers Strings’ reputation as “one of string music’s most dynamic young stars” (Rolling Stone). Of the album, Associated Press proclaims, “it is his creative musical storytelling, paired with solid vocals on Home that should seal the deal, pleasing fans of the genre and creating some new ones…the perfect blend of pure talent and pluck,” while The Wall Street Journal declares, “Billy Strings has clearly emerged as a premier guitar flatpicker of this era.” Moreover, Strings and the album topped Billboard’s 2020 year-end chart in both Bluegrass categories: Top Bluegrass Artists and Top Bluegrass Albums Titles.

Michigan-born and now Nashville-based, Strings arrived on the music scene as one of the most compelling new artists with the release of his 2017 debut LP, Turmoil & Tinfoil. Since his debut, Strings has been awarded Guitar Player of the Year and New Artist of the Year at the 2019 International Bluegrass Music Awards, selected as one of Rolling Stone’s 2017 “New Country Artists to Know” and performed on “Jimmy Kimmel Live!” and PBS’ “Bluegrass Underground.” Often playing over 200 shows per year, he has also become known as an electric live performer, keeping the improvisational tradition of bluegrass alive while incorporating elements of several diverse genres. WXPN’s World Café declares, “a bona fide phenom…with his virtuosic guitar playing front and center, Strings fuses bluegrass to psych rock, country and jam music, without fussing over what bluegrass should be.”

LEE BRICE
Tickets: $39.50 and up in advance plus applicable surcharges
4-Pack Tickets: $29.65 per ticket plus applicable surcharges

When current CMA and CMT Music Award-nominated and Curb Records recording artist Lee Brice isn’t selling out arenas, writing and recording songs, or building new brands like American Born whiskey, you’ll find the family man with his wife Sara, two young boys, and daughter. Meanwhile, with more than 2.2 billion on-demand streams, and three billion spins on Pandora, Brice continues to enjoy massive success at country radio, digital streaming services, and on the road. He hit No. 1 at country radio with his fastest rising single career to date, One of Them Girls, which follows his No. 1 with Carly Pearce on I Hope You’re Happy Now and his No. 1 just prior to that, Rumor, which was nominated in the category Single of the Year at the 55th Annual ACM Awards. One of the most-played country artists of all time on Pandora, he is a member of the company’s Billionaires Club, becoming only the second country artist behind Keith Urban to receive the Pandora Billionaire plaque. Lee is also a Grammy nominee, a CMA and ACM award winner, and he’s taken eight radio singles to Number One: A Woman Like You, Hard to Love, I Drive Your Truck, I Don’t Dance, Drinking Class, Rumor, I Hope You’re Happy Now, and One of Them Girls. Garth Brooks, Jason Aldean, Kenny Chesney and others have recorded his songs, and he’s performed on numerous TV shows, including NBC’s Today, ABC’s The Bachelor, NBC’s The Voice and FOX’s Miss USA 2018. Lee performed as part of the Library of Congress Gershwin Prize for Popular Song honoring Garth Brooks, aired on PBS March of 2020.

The Struts
Strange Days Are Over Tour
Tickets: $29.50 and up in advance (plus applicable surcharges)

The third full-length from British rock band The Struts, Strange Days came to life over the course of a charmed and frenzied burst of creativity last spring. After getting tested for COVID-19, singer Luke Spiller, guitarist Adam Slack, bassist Jed Elliott, and drummer Gethin Davies all moved into the Los Angeles home of Jon Levine, a producer who worked extensively on their acclaimed sophomore effort YOUNG & DANGEROUS (including the album’s lead single “Body Talks”). Within just ten days of couch-crashing at Levine’s house, The Struts had laid down nine original tracks and one masterful cover of a KISS B-side: a lean, mean body of work that amounts to their most glorious output to date.

“It was so much fun to make a record this way instead of getting everything done in between touring, working with multiple producers in multiple countries,” says Spiller. “We were all just burning to capture that excitement as much as we possibly could, and at times it felt like the songs were literally just falling from the sky.”

In an organic turn of events for a band massively embraced by some of rock-and-roll history’s greatest icons—a feat that’s included opening for The Rolling Stones, The Who, and Guns N’ Roses—Strange Days finds The Struts joining forces with a formidable lineup of guest musicians: Def Leppard’s Joe Elliott and Phil Collen, Albert Hammond Jr. of The Strokes, Tom Morello, and Robbie Williams. Mixed by Claudius Mittendorfer (Panic! At the Disco, Arctic Monkeys, Johnny Marr), the result is a powerhouse album that lifts The Struts’ glammed-up breed of modern rock to entirely new and wildly thrilling heights.

KIM PETRAS
KP x AP Pride Party
Alex Chapman
Pissi Myles
DJ Carl Michaels
Tickets: $35 and up in advance plus applicable surcharges, $45 at the gate

Kim Petras’ undeniable voice and imaginative artistry have skyrocketed her to international recognition as one of music’s most promising talents. Her 12-track project Clarity introduced a more personal, grounded sound and kicked off with “Broken,” which catapulted into the Top 10 of the iTunes Pop Chart and started Kim’s hot-streak of dominating the Spotify’s “New Music Friday” and Apple Music’s “Best of The Week” playlists for nine consecutive weeks. Traveling the world on her first-ever, sold-out headline tour and garnering over 150 million streams with hits such as “I Don’t Want It At All” and “Heart To Break,” Kim has earned major media praise as a one to watch and has collaborated with Charli XCX, Cheat Codes, SOPHIE, Lil Aaron, and more.

Andrew McMahon: The Three Pianos Tour
Andrew McMahon
Annika Bennett
Zac Clark
Tickets: $45 in advance (plus applicable surcharges)

Dear Friends,

Never have I been more excited to announce a tour. The weirdness we are emerging from has left its mark on all of us and I have been dreaming of the day we could gather in rooms again and shake off its effects together. I will be traveling light this time, surrounded by a small group of friends, performing a set of songs that for me are like mile markers on the map of my life. I spent my time away from the world writing a book, trying to understand more fully who I am and where I came from. I can think of no better time than now, the anniversary of 20 years on tour, to assemble my work on a stage and do what I can to share that history with you through my songs and stories. Like my book, this tour will be called Three Pianos, and while I can’t bring all three of them on the road with me, I hope to channel the wonderful and bizarre affection I have for their place in my world. Any time I embark on some new and public adventure I am filled with fear of the unknown, but if I have learned anything from tours like The Pen and the Piano, from first leaps onto rubber ducks or out on to dance floors beneath parachutes, it is worth taking chances. I am crafting this show with the knowledge it may be the first many of you have attended in a very long time. That comes with pressure, but from that pressure I hope to make something cathartic and worthy of your trust in me. The lights are coming back on, let’s sing together beneath them. — Andrew

Rock ‘n’ roll is often hard to define, or even to find, in these fractured musical times. But to paraphrase an old saying, you know it when you hear it. And you always hear it with the Wallflowers.

For the past 30 years, the Jakob Dylan-led act has stood as one of rock’s most dynamic and purposeful bands – a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades, baked into the grooves of smash hits like 1996’s Bringing Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over.

Even so, in recent years, Dylan – the Wallflowers’ founding singer, songwriter and guitarist – has repeatedly stepped outside of his band, first with a pair of more acoustic and rootsy records,
2008’s Seeing Things and 2010’s Women + Country, and then with the 2018 film Echo in the Canyon and the accompanying soundtrack, which saw him collaborate with a host of artists
classic and contemporary, from Neil Young and Eric Clapton to Beck and Fiona Apple.

But while it’s been nine long years since we’ve heard from the group with whom he first made his mark, the Wallflowers are silent no more. And Dylan always knew they’d return. “The
Wallflowers is much of my life’s work,” he says simply. Plus, he adds with a laugh, “It’s pretty hard to get a good band name, so if you have one, keep it.”

Good band name aside, that life’s work continues with Exit Wounds, the brand-new Wallflowers studio offering produced by Butch Walker. The collection marks the first new Wallflowers material since Glad All Over. And while the wait has been long, the much-anticipated record finds the band’s signature sound – lean, potent and eminently entrancing – intact, even as Dylan surrounds himself with a fresh cast of musicians, including Walker.

Which, the front man is quick to point out, is not all that unusual. “The Wallflowers has always been a vehicle for me to make great rock ‘n’ roll records,” he says. “And sometimes the lineup
that makes the record transfers over into touring, and sometimes it doesn’t. But my intention is always to make the Wallflowers record I want to make, using the musicians I have beside me.”

Tickets: $39.50 in advance plus applicable surcharges

Low Cut Connie
with special guest Susu
Tickets: $20 in advance (plus applicable surcharges), $25 at the door

Low Cut Connie released Private Lives last year to rave reviews, ultimately earning its place at #34 on Rolling Stone’s “50 best Albums of 2020” list, #4 on Fresh Air’s Ken Tucker’s ten best albums of the year, and #1 on PopMatters’ “25 Best Americana Albums of 2020” list. Capping off the year, The New Yorker dubbed Adam Weiner “Pandemic Person of the Year.” The album’s last single, the title track “Private Lives,” was also one of “Public Radio’s Most Popular Songs Of 2020.”